Reads that Resonated

Movie Magic

  • Hitchcock: Notorious
    Hitchcock: Notorious
    One of many great pieces. This one seems a pointedly composed visually, like a set of moving silver-dipped photos - though many other Hitchcock films work better storywise. I love him, in part, because of his masterful audience manipulation; believe this is one of his most important contributions to moviemaking, eh, baby Spielberg?
  • Krzysztof Kieslowski: Blue (Three Colors Trilogy)
    Krzysztof Kieslowski: Blue (Three Colors Trilogy)
    A fav til I die; elemental economy yielding everything
  • John Sayles: Brother From Another Planet
    John Sayles: Brother From Another Planet
    Watched this one very young and was blown away by the metaphors, the silence(s), creative vision; John Sayles continues to astound & inspire!
  • Ridley Scott: Blade Runner (The Director's Cut)
    Ridley Scott: Blade Runner (The Director's Cut)
    Not too familiar with this cut directly. Enjoyed this far more than Star Wars, of which George Lucas may be my favorite piece... Anyhoo, this blew me away, and continues to, each time I screen it. Futuristic, dark, cerebral, moody & character-focused :-)
  • David Mamet: House of Games
    David Mamet: House of Games
    Mamet brings Hitchcock to the street & I love it! Plays with the language in a way I'd not heard from Hollywood/ moviemaking before that still catches my ear particularly.
  • Paul Verhoeven: Total Recall
    Paul Verhoeven: Total Recall
    A smart, fun blockbuster ­ Hooray! [Hmph, I didn't note clearly PV was the ringleader here, good to know]
  • Spike Lee: Do the Right Thing
    Spike Lee: Do the Right Thing
    Cinematic mural of characters dancing race & gender one hot New York summer day. Work it, my brother!
  • Peter Greenaway: The Cook, the Thief, His Wife and Her Lover
    Peter Greenaway: The Cook, the Thief, His Wife and Her Lover
    Distinctly remember working on my (film) grant one hot Berkeley summer day, then sneaking off to see this racy movie only to be blown away by Smelling film (whoa!) and that kitchen, oh that kitchen...
  • Pedro Almodóvar: Talk to Her (Hable con Ella)
    Pedro Almodóvar: Talk to Her (Hable con Ella)
    Perhaps my favorite film of his (yet). Though he's definitely one of my World Idols ;-) Colorific, poignant, far fetched yet accessible, familiar dramedies that move us with curious visuals, story shifts, and everyday people.
  • Steven Soderbergh: Traffic
    Steven Soderbergh: Traffic
    Steve is one of those that keeps me excited and not so jaded about the possibilities of American, even Hollywood, filmmaking - bravo and thanks to him!!
  • Deathtrap
    Talkin' twists! I believe we have four primary ones before the credits roll
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Top 10 Queer Reads

  • Michael Jensen: Frontiers
    Michael Jensen: Frontiers
    Typically avoid historical fictions, or did. This jumped into my hands at library. May still be my favorite of all with its gorgeous allure, taste of the supernatural, and frank gay depiction - even if a few yesterdays ago. Bravo MJ!
  • Michael Nava: DEATH OF FRIENDS
    Michael Nava: DEATH OF FRIENDS
    I cried from feeling the ache of identifying with a recovering alcoholic. (is this why I’ve been hit on by so many around this time? :-)) Nava continues to develop the humanity here, than the mysteries. Kudos and thanks!
  • Paul Russell: SEA OF TRANQUILITY
    Sometimes I find art that wastes its title. Has no idea how to live up to it – this one was the opposite and left me swimming for days on end!!! [out of print]
  • E. Lynn Harris: Invisible Life
    E. Lynn Harris: Invisible Life
    Sheer power rocked me for years (3!). So pleased by his debut, skipped the 2nd fearing a sophomoric slump, yet found the 3rd just as wonderful, if not groundbreaking. Cheers to a long career!
  • Jim Grimsley: Dream Boy
    Haunting. Beautiful. Nicely ambiguous, at points. Decidedly southern. Hooray!
  • Krandall Krauss: The President’s Son
    Thank god, I thought we only wrote high-end literature and stories. This hugged my soul and said Dynasty, Dallas, et. al. BEWARE – a tribute will come. * This tipped me to realize more gay pop fictions, etc. etc. will be needed, and bought. Kensington Press exemplifies this. We'll see on the film side as players emerge.
  • Larry Duplechan: Eight Days A Week
    Lilting. Great mid-tier, or rather middle of the road author. I’d gladly BEG him for more books! * Like a gay “High Fidelity” …with the white lover and band.
  • Christopher Bram: Surprising Myself
    Captures so easily emerging out, and friendship shifts, challenges, etc.
  • R.D. Zimmerman: Closet
    R.D. Zimmerman: Closet
    Start of a serial. Set in Minneapolis! My god! Felt the winter and bite of exiting the closet again in a parallel world I know too well, yet have never lived. Bravo, r.d.
  • Alex Sanchez: Rainbow Boys
    New entry so may not be sequenced how I want...

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LATEness

B(L)ACK
I'm back from Chicago, post tv catchup and a nice afternoon nap. Was angling to go into the city for TOUCH. Though I'm more curious to see more of PRISON BREAK, catch up on news/blogging, and otherwise have fun in my apartment. Not sure if i'm being too pragmatic in staying home, or going with the groove of goodness. Will keep with the productivity tip and see what's what. TOUCH goes each Monday eve from 6 to 2 so I could still go... Notting bet either way.

KATTIE CORNER
From an initial breeze-through, it would seem more energy emerges in the blame game, esp. among the agencies and offices themselves, rather than additional impactful solutions to further curb the severe lateness of fools, er, folks.

*Partial (radio chat) transcript of New Orleans Mayor from Friday 2nd
http://www.nytimes.com/2005/09/02/national/nationalspecial/02TEXT-NAGIN.html?pagewanted=all

*Mayor & police heads think outside the box to retain officers
http://nytimes.com/2005/09/05/national/nationalspecial/05vegas.html?hp&ex=1125979200&en=b7296264ca796265&ei=5094&partner=homepage

*Sounds like re-dunce-city to me
http://www.nytimes.com/2005/09/05/national/nationalspecial/05medical.html

*Getting youth into school somewhere by partnering with all major educational groups (!) and loosening up laws for homeless youth
http://nytimes.com/2005/09/03/national/nationalspecial/03school.html

*Rescuing the final few ain't easy as it would seems - some are reluctant to leave their property and few untouched belongings
http://nytimes.com/2005/09/05/national/nationalspecial/05scene.html?hp&ex=1125979200&en=70e09f5962b32775&ei=5094&partner=homepage

*Celine gets candid, and shares her gift/prayer of song, on CNN's Larry King Live (media clip)
http://www.cnn.com/video/player/player.html?url=/video/bestoftv/2005/09/03/lkl.celine.dion.cnn

*A Failure of Leadership - well stated and tempered memo to Mr. [sic] President
http://www.nytimes.com/2005/09/05/opinion/05herbert.html?incamp=article_popular

*Maureen Dowd: United States of Shame - wonderfully on point to skewer and! stay brief
http://www.nytimes.com/2005/09/03/opinion/03dowd.html?incamp=article_popular

*David Brooks: The Bursting Point - seems cut VERY short if wonderfully riled up
http://www.nytimes.com/2005/09/04/opinion/04brooks.html?incamp=article_popular

*Oh, I love Amanda's heart here! Starfish Project premise
http://amandaowen.com/starfish_project.htm

*Kanye gets loud about bushwuss & blacks in NewO/USA 2005
http://news.yahoo.com/s/eo/20050906/en_tv_eo/17294

HOW LATE DO U HAV 2B B4 UR ABSENT?
New George Michael, er, Clinton release isn't received well by NYT. I find the title particular ironic in light of Not so New Orleans.


I'm enjoying Fox's PRISON BREAK, and expect it will last the season. Alas, I won't necessarily watch every week. It's not as sharp as I feel it needs to be; it seems to miss the mark on being urgent, taut and intelligent like it's older brother 24. It is in fact more like that one show, not original FUGITIVE, but the other one with the spy. This is mixed with mafia, families, brothers, and more. (Also, is Lincoln truthful with his brother in that he doesn't know what happened around this murder? And why would a USA VP's brother need to be killed and/or get killed? The backstory (or front, if that's how it unfolds) intrigues me, yet it's too blobular, diluted... better described as a thin soup with very good flavor, that will succeed better thickened like a great split pea, or perhaps even over towards stew territoty.

DIRECTING AS SCRIPT + CAST IMPROVs + DIRECTORIAL EDITING
this Viewpoints nine-point method in this director's hands sounds like band jams and then orchestrating in ways from/with those jams' organic & germane moments
http://nytimes.com/2005/09/04/theater/newsandfeatures/04domi.html?pagewanted=all

Comments

On the HERO side of the equation:

http://www.chron.com/cs/CDA/ssistory.mpl/front/3340752

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